Curtis Schwartz 6/9/26 Curtis Schwartz 6/9/26

The Surprising Truth About Dolby Atmos: Better Stereo, More Revenue

Dolby Atmos can create an immersive mix, improve stereo playback and open up new royalty opportunities.

Why a rough mix you thought was perfect can sound very different in a professional studio

Better monitoring doesn’t ruin a rough mix. It reveals what was already there.

Creating the Dolby Atmos Mix for YES – Aurora

Behind the Dolby Atmos mix of YES's Aurora, including independent reviews, the studio's calibrated 7.1.4 monitoring system and the complete production workflow.

The Surprising Truth About Dolby Atmos: Better Stereo, More Revenue

Why a rough mix you thought was perfect can sound very different in a professional studio

Creating the Dolby Atmos Mix for YES – Aurora

“I never want to leave.”
— Maurice Gibb, Bee Gees

“The best drum sound I've ever had.”
— Carl Palmer, ELP/Asia

“One of the best studios I’ve worked in for a long, long time.”
— Mark Brzezicki, Big Country

“The Dolby Atmos mix of Aurora is absolutely wonderful,
far beyond what I had imagined.”
— Shin Katayama, Tokyo

The Surprising Truth About Dolby Atmos: Better Stereo, More Revenue

Why a rough mix you thought was perfect can sound very different in a professional studio

Creating the Dolby Atmos Mix for YES – Aurora

“I never want to leave.”— Maurice Gibb, Bee Gees

“The best drum sound I've ever had.” — Carl Palmer, ELP/Asia

“One of the best studios I’ve worked in for a long, long time.”— Mark Brzezicki, Big Country

“The Dolby Atmos mix of Aurora is absolutely wonderful, far beyond what I had imagined.”— Shin Katayama, Tokyo

“I never want to leave.”
— Maurice Gibb, Bee Gees

“The best drum sound I've ever had.”
— Carl Palmer, ELP/Asia

“One of the best studios I’ve worked in for a long, long time.”
— Mark Brzezicki, Big Country

“The Dolby Atmos mix of Aurora is absolutely wonderful,
far beyond what I had imagined.”
— Shin Katayama, Tokyo